William Blake (nonfiction)
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker.
Largely unrecognized during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced".
Although he lived in London his entire life (except for three years spent in Felpham), he produced a diverse and symbolically rich œuvre, which embraced the imagination as "the body of God" or "human existence itself".
Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work.
Reverent of the Bible but hostile to the Church of England (indeed, to almost all forms of organised religion), Blake was influenced by the ideals and ambitions of the French Revolution (nonfiction) and the American Revolution.
Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg.
Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".
In the News
"Reptiles of the Mind" is a song by printer, mystic, and songwriter William Blake about the idea that "The man who never alters his opinion is like standing water, and breeds reptiles of the mind."
Fiction cross-reference
Nonfiction cross-reference
External links:
- William Blake @ Wikipedia