The Eel

The Eel, freshly incarcerated in the Nacreum, remains defiant.

The Eel is an art critic and alleged supervillain.

He has been accused of several math crimes, including temporal denumeration and shape theft. Although arrested and imprisoned on several occasions, he managed to escape each time; even the famed Nacreum could not hold him.

The Eel insists that he is a law-abiding citizen who is being framed by Baron Zersetzung.

He is known to be a master of disguise, and an expert knife-thrower.

The appearance of The Eel is based on Matt Farthing (nonfiction). Farthing has also helped shape The Eel's character, says author Karl Jones.

In the News

1904: Illustration of The Eel fighting Neptune Slaughter awarded Pulitzer Award for Best Investigative Reporting.
Six Seconds to Hell is "a reasonably accurate depiction of events as I experienced them," says The Eel.
The Safe-Cracker wins Pulitzer Prize, hailed as "most daring illustration of the year."
Art critic and alleged supervillain The Eel escapes from The Nacreum using a surfboard powered by the gnomon algorithm.
Art critic and alleged supervillain The Eel escapes from The Nacreum using a surfboard powered by the gnomon algorithm.
The Eel Discovers Time Travel wins Pulitzer Prize.
Alleged criminal mastermind Baron Zersetzung vows to "hunt down, apprehend, and see judgement brought upon The Eel."
Baron Zersetzung and The Eel fight in a gambling den.
The Eel and Radium Jane engage in epic arm-wrestling match to determine outcome of wager.
New evidence suggests that The Eel Escapes Hydrolab is based on actual events.
The Eel Hates Peter Aal depicts art critic and alleged supervillain The Eel with well-known statue Peter Aal.
The Eel receives news from informants.
Alleged crime boss Baron Zersetzung deploys several hundred terabytes of Clandestiphrine in an effort to stop The Eel from discovering time travel.