Ferme générale (nonfiction)

The ferme générale (French pronunciation: ​[fɛʁm ʒeneʁal], "general farm") was, in ancien régime France, essentially an outsourced customs, excise and indirect tax operation. It collected duties on behalf of the King (plus hefty bonus fees for themselves), under renewable six-year contracts. The major tax collectors in that highly unpopular tax farming system were known as the fermiers généraux (singular fermier général), which would be tax farmers-general in English.

In the 17th and 18th centuries the fermiers généraux became immensely rich and figure prominently in the history of cultural patronage, as supporters of French music, major collectors of paintings and sculpture, patrons of the marchands-merciers and consumers of the luxury arts in the vanguard of Parisian fashions. In his 1833 novel Ferragus, writer Honoré de Balzac attributes the sad air that hangs about the Île Saint-Louis in central Paris to the many houses there owned by fermiers généraux. Their sons or grandsons purchased patents of nobility and their daughters often married into the aristocracy. Especially members of impoverished aristocratic families were eager to marry daughters of the fermiers généraux in order to restore the wealth they had prior to their ruin. This was called in popular French redorer son blason (literally "to re-gild one's coat of arms").

Links

• Ferme générale @ Wikipedia