Stuart Davis (painter): Difference between revisions
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File:Stuart Davis.jpg|Stuart Davis pleased with life's work, according to new [[Computation (nonfiction)|computational posthumous analysis]]. | File:Stuart Davis.jpg|Stuart Davis pleased with life's work, according to new [[Computation (nonfiction)|computational posthumous analysis]]. | ||
File:Ishango bone.jpg|link=Computation (nonfiction)|Ishango bone used [[Computation (nonfiction)|compute square wave]] in crazy jam session, according to new model of afterlife reminiscence by Davis. | |||
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Revision as of 14:44, 20 June 2016
Stuart Davis is an early American modernist painter and superhero.
He was well known for his jazz-influenced, proto pop supervillain take-downs of the 1940s and 1950s -- bold, brash, and colorful -- as well as his Trash Can crime teams in the early years of the 20th century.
On practical hazards and Max Beckmann:
In a painting, space doesn't involve practical hazards. Except in Max Beckmann paintings. You can break your damned neck in a Max Beckmann painting.
In the News
Stuart Davis pleased with life's work, according to new computational posthumous analysis.
Ishango bone used compute square wave in crazy jam session, according to new model of afterlife reminiscence by Davis.
