Stuart Davis (painter): Difference between revisions
Jump to navigation
Jump to search
(→Quotes) |
No edit summary |
||
| Line 1: | Line 1: | ||
[[File:Hot_Still-Scape_for_Six_Colors_-_7th_Avenue_Style.jpg|thumb|''Hot Still-Scape for Six Colors - 7th Avenue Style'' (1940).]]'''Stuart Davis''' is an early American [[modernist painter]] and superhero. | [[File:Hot_Still-Scape_for_Six_Colors_-_7th_Avenue_Style.jpg|thumb|''Hot Still-Scape for Six Colors - 7th Avenue Style'' (1940).]]'''Stuart Davis''' is an early American [[modernist painter]] and [[superhero]]. | ||
He was well known for his jazz-influenced, proto pop [[Villain take-down|villain take-downs]] of the 1940s and 1950s -- bold, brash, and colorful -- as well as his [[Cash Can]] pictures in the early years of the 20th century. | He was well known for his jazz-influenced, proto pop [[Villain take-down|villain take-downs]] of the 1940s and 1950s -- bold, brash, and colorful -- as well as his [[Cash Can]] pictures in the early years of the 20th century. | ||
Revision as of 09:14, 1 June 2016
Stuart Davis is an early American modernist painter and superhero.
He was well known for his jazz-influenced, proto pop villain take-downs of the 1940s and 1950s -- bold, brash, and colorful -- as well as his Cash Can pictures in the early years of the 20th century.
Quotes
On practical hazards and Max Beckmann
In a painting, space doesn't involve practical hazards. Except in Max Beckmann paintings. You can break your damned neck in a Max Beckmann painting.