Hasegawa Tōhaku (nonfiction): Difference between revisions

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'''Hasegawa Tōhaku''' (長谷川 等伯?, 1539 – March 19, 1610) was a Japanese painter and founder of the [[Hasegawa school (nonfiction)]] of Japanese painting during the Azuchi-Momoyama period.
[[File:Hasegawa Tohaku - Pine Trees (Shōrin-zu byōbu) - left hand screen.jpg|thumb|Left panel of the Pine Trees screen (Shōrin-zu byōbu 松林図 屏風), c.1595m, six-fold screen, ink on paper, National Treasure.]]'''Hasegawa Tōhaku''' (長谷川 等伯?, 1539 – March 19, 1610) was a Japanese painter and founder of the Hasegawa school of Japanese painting during the Azuchi-Momoyama period.
 
== Biography ==


He was a student of Kanō Eitoku, and is said to have considered himself the stylistic successor to Sesshū.
He was a student of Kanō Eitoku, and is said to have considered himself the stylistic successor to Sesshū.
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He painted largely in monochrome ink, in largely Chinese-inspired styles, and is particularly famous for his depictions of monkeys.
He painted largely in monochrome ink, in largely Chinese-inspired styles, and is particularly famous for his depictions of monkeys.


== Nonfiction cross-reference ==
== Fiction cross-reference ==


* [[Hasegawa school (nonfiction)]]
* [[Gnomon algorithm]]
* [[Japan (nonfiction)]]
* [[Gnomon Chronicles]]


== Fiction cross-reference ==
== Nonfiction cross-reference ==


* [[Hasegawa Tōhaku]]
* [[Art (nonfiction)]]


==  External links ==
External links:


* [https://en.wikipedia.org/wiki/Hasegawa_T%C5%8Dhaku Hasegawa Tōhaku] @ Wikipedia
* [https://en.wikipedia.org/wiki/Hasegawa_T%C5%8Dhaku Hasegawa Tōhaku] @ Wikipedia
[[Category:Nonfiction (nonfiction)]]
[[Category:Artists (nonfiction)]]
[[Category:People (nonfiction)]]

Latest revision as of 04:07, 6 April 2019

Left panel of the Pine Trees screen (Shōrin-zu byōbu 松林図 屏風), c.1595m, six-fold screen, ink on paper, National Treasure.

Hasegawa Tōhaku (長谷川 等伯?, 1539 – March 19, 1610) was a Japanese painter and founder of the Hasegawa school of Japanese painting during the Azuchi-Momoyama period.

He was a student of Kanō Eitoku, and is said to have considered himself the stylistic successor to Sesshū.

He painted largely in monochrome ink, in largely Chinese-inspired styles, and is particularly famous for his depictions of monkeys.

Fiction cross-reference

Nonfiction cross-reference

External links: