Abstract expressionism (nonfiction): Difference between revisions

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File:Robert Pincus-Witten.jpg|link=Robert Pincus-Witten (nonfiction)|[[Robert Pincus-Witten (nonfiction)|Robert Pincus-Witten]] has a twinkle in his eye.
File:Adolf Woelfli.jpg|link=Outsider art (nonfiction)|[[Outsider art (nonfiction)|Swiss conscientious objector]] looks to the future, has no time for Abstract expressionism.
File:Adolf Woelfli.jpg|link=Outsider art (nonfiction)|[[Outsider art (nonfiction)|Swiss conscientious objector]] looks to the future, has no time for Abstract expressionism.
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Latest revision as of 08:12, 29 January 2017

Boon by James Brooks.

Abstract expressionism is a post–World War II art movement in American painting, developed in New York in the 1940s.

It was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris.

Although the term abstract expressionism was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism.

In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky.

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