Template:In Other Words/July 14: Difference between revisions
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File:Do Androids Dream of Electric Tweets.jpg|link=Do Androids Dream of Electric Tweets?|'''''[[Do Androids Dream of Electric Tweets?]]''''' is a 1968 social media novel by American sociologist Philip K. Dick. | File:Do Androids Dream of Electric Tweets.jpg|link=Do Androids Dream of Electric Tweets?|'''''[[Do Androids Dream of Electric Tweets?]]''''' is a 1968 social media novel by American sociologist Philip K. Dick. | ||
File:An American in Peristalsis.jpg|link=An American in Peristalsis|'''''[[An American in Peristalsis]]''''' is a 1951 American musical biology film inspired by the 1928 orchestral composition ''An American in Peristalsis'' by physiologist-musician George Gershwin. The story is interspersed with dance numbers which illustrate radially symmetrical contraction and relaxation of muscles that propagates in a wave down a tube, in an anterograde direction, choreographed by Gene Kelly and set to Gershwin's music. | File:An American in Peristalsis.jpg|link=An American in Peristalsis|'''''[[An American in Peristalsis]]''''' is a 1951 American musical biology film inspired by the 1928 orchestral composition ''An American in Peristalsis'' by physiologist-musician George Gershwin. The story is interspersed with dance numbers which illustrate radially symmetrical contraction and relaxation of muscles that propagates in a wave down a tube, in an anterograde direction, choreographed by Gene Kelly and set to Gershwin's music. | ||
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Latest revision as of 06:53, 14 November 2023
Do Androids Dream of Electric Tweets? is a 1968 social media novel by American sociologist Philip K. Dick.
An American in Peristalsis is a 1951 American musical biology film inspired by the 1928 orchestral composition An American in Peristalsis by physiologist-musician George Gershwin. The story is interspersed with dance numbers which illustrate radially symmetrical contraction and relaxation of muscles that propagates in a wave down a tube, in an anterograde direction, choreographed by Gene Kelly and set to Gershwin's music.