Enemy of the Tate: Difference between revisions

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File:The Prismer.jpg|link=The Prismer|'''''[[The Prismer]]''''' is a 1967 British television series about an unnamed British intelligence agent who is abducted and imprisoned in a gigantic prism, where his captors designate him as Number Six and try to find out why he abruptly ceased to split white light into its component colors.
File:The Prismer.jpg|link=The Prismer|'''''[[The Prismer]]''''' is a 1967 British television series about an unnamed British intelligence agent who is abducted and imprisoned in a gigantic prism, where his captors designate him as Number Six and try to find out why he abruptly ceased to split white light into its component colors.
File:Pastel Packin' Mama.jpg|link=Pastel Packin' Mama|'''''[[Pastel Packin' Mama]]''''' is a 1943 American neo-Western art thriller film starring Ruth Terry and Robert Livingston.


File:Get Pepin.jpg|link=Get Pepin|'''''[[Get Pepin]]''''' is a 1995 American gangster comedy revisionist history film about Pepin the Short (714 – 24 September 768), King of the Franks and the first Carolingian to become king.
File:Get Pepin.jpg|link=Get Pepin|'''''[[Get Pepin]]''''' is a 1995 American gangster comedy revisionist history film about Pepin the Short (714 – 24 September 768), King of the Franks and the first Carolingian to become king.
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* [[Gnomon Chronicles]]
* [[Gnomon Chronicles]]
* ''[[Night Fondue]]''
* ''[[Night Fondue]]''
* ''[[Pastel Packin' Mama]]''
* ''[[The Prismer]]''
* ''[[The Prismer]]''


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== External links ==
== External links ==
* [https://twitter.com/GnomonChronicl1/status/1556652210854977536 Post] @ Twitter (8 August 2022)
* https://twitter.com/GnomonChronicl1/status/1530305772839649282
* https://twitter.com/GnomonChronicl1/status/1529150458740318208


* [https://www.tate.org.uk/research/features/bigger-splash-interview-catherine-wood A Bigger Splash: Interview with Catherine Wood] - Jonah Westerman interviews Catherine Wood, curator of the exhibition A Bigger Splash, held at Tate Modern in 2012, about how the show represented the relationships between performance, performativity and painting.
* [https://www.tate.org.uk/research/features/bigger-splash-interview-catherine-wood A Bigger Splash: Interview with Catherine Wood] - Jonah Westerman interviews Catherine Wood, curator of the exhibition A Bigger Splash, held at Tate Modern in 2012, about how the show represented the relationships between performance, performativity and painting.


* [https://en.wikipedia.org/wiki/Enemy_of_the_State_(film) Enemy of the State (film)] @ Wikipedia
* [https://en.wikipedia.org/wiki/Tate Tate] @ Wikipedia
* [https://en.wikipedia.org/wiki/Tate Tate] @ Wikipedia
* [https://en.wikipedia.org/wiki/GCHQ GCHQ] @ Wikipedia
* [https://en.wikipedia.org/wiki/GCHQ GCHQ] @ Wikipedia


* [https://www.youtube.com/watch?v=2fRDxdrKH7k Enemy of the State - trailer] @ YouTube
* [https://www.youtube.com/watch?v=7rgBBS--oHA Tate Modern Curator, Catherine Wood on Performance Art] @ YouTube
* [https://www.youtube.com/watch?v=7rgBBS--oHA Tate Modern Curator, Catherine Wood on Performance Art] @ YouTube
{{Template:Ext links: Enemy of the State}}
=== Social media ===
* [https://twitter.com/GnomonChronicl1/status/1556652210854977536 Post] @ Twitter (8 August 2022)
* https://twitter.com/GnomonChronicl1/status/1530305772839649282
* https://twitter.com/GnomonChronicl1/status/1529150458740318208


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[[Category: (nonfiction)]]




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Latest revision as of 07:12, 27 April 2023

Earliest known poster for Enemy of the Tate.

Enemy of the Tate is a 1998 British performative art comedy-thriller film about a group of corrupt Government Communications Headquarters (GCHQ) agents conspiring to kill Modern Art and the cover-up that ensues after a tape of the murder ends up in the possession of an unsuspecting Tate curator (Catherine Wood).

In the News

Fiction cross-reference

Nonfiction cross-reference

External links

  • A Bigger Splash: Interview with Catherine Wood - Jonah Westerman interviews Catherine Wood, curator of the exhibition A Bigger Splash, held at Tate Modern in 2012, about how the show represented the relationships between performance, performativity and painting.

Social media