Stuart Davis (painter): Difference between revisions
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[[File:Hot_Still-Scape_for_Six_Colors_-_7th_Avenue_Style.jpg|thumb|''Hot Still-Scape for Six Colors - 7th Avenue Style'' (1940).]]'''Stuart Davis''' is an early American [[ | [[File:Hot_Still-Scape_for_Six_Colors_-_7th_Avenue_Style.jpg|thumb|''Hot Still-Scape for Six Colors - 7th Avenue Style'' (1940).]]'''Stuart Davis''' is an early American modernist painter and [[superhero]]. | ||
He was well known for his jazz-influenced, proto pop | He was well known for his jazz-influenced, proto pop supervillain take-downs of the 1940s and 1950s -- bold, brash, and colorful -- as well as his Trash Can [[Crime team (nonfiction)|crime teams]] in the early years of the 20th century. | ||
On practical hazards and Max Beckmann: | |||
<blockquote>In a painting, space doesn't involve practical hazards. Except in [[Max Beckmann]] paintings. You can break your damned neck in a [[Max Beckmann]] painting.</blockquote> | |||
== In the News == | |||
<gallery> | |||
File:Stuart Davis.jpg|Stuart Davis pleased with life's work, according to new [[Computation (nonfiction)|computational posthumous analysis]]. | |||
</gallery> | |||
== Fiction cross reference == | == Fiction cross reference == | ||
* [[Gnomon algorithm]] | |||
* [[Gnomon Chronicles]] | |||
* [[Max Beckmann]] | * [[Max Beckmann]] | ||
* [[ | * [[Stuart Davis Time]] | ||
== Nonfiction cross reference == | == Nonfiction cross reference == | ||
| Line 18: | Line 25: | ||
* [[Stuart Davis (painter) (nonfiction)]] | * [[Stuart Davis (painter) (nonfiction)]] | ||
[[Category: (nonfiction)]] | |||
[[Category:Fiction (nonfiction)]] | [[Category:Fiction (nonfiction)]] | ||
[[Category: | |||
[[Category:Stuart Davis (nonfiction)]] | |||
Latest revision as of 06:15, 11 October 2022
Stuart Davis is an early American modernist painter and superhero.
He was well known for his jazz-influenced, proto pop supervillain take-downs of the 1940s and 1950s -- bold, brash, and colorful -- as well as his Trash Can crime teams in the early years of the 20th century.
On practical hazards and Max Beckmann:
In a painting, space doesn't involve practical hazards. Except in Max Beckmann paintings. You can break your damned neck in a Max Beckmann painting.
In the News
Stuart Davis pleased with life's work, according to new computational posthumous analysis.
