9'11": Difference between revisions
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[[File:John Cage's Nine-Eleven.jpg|thumb|Earliest known image of John Cage 1.1's '''''<nowiki>9'11"</nowiki>'''''.]]'''''<nowiki>9'11"</nowiki>''''' (pronounced "'''nine months, eleven days'''", or sometimes "'''mine hours, eleven minutes'''", or simply "'''nine-eleven'''") is a three-tower composition by the an autonomous artificial intelligence '''[[John Cage 1.1]]''' | [[File:John Cage's Nine-Eleven.jpg|thumb|Earliest known image of John Cage 1.1's '''''<nowiki>9'11"</nowiki>'''''.]]'''''<nowiki>9'11"</nowiki>''''' (pronounced "'''nine months, eleven days'''", or sometimes "'''mine hours, eleven minutes'''", or simply "'''nine-eleven'''") is a three-tower composition by the an autonomous artificial intelligence '''[[John Cage 1.1]]''' (based on American experimental composer John Cage, 1912–1992). | ||
== Description == | == Description == | ||
''<nowiki>9'11"</nowiki>'' was composed in 1952 and 2001, for any building or other improvisational instruments in or around The World Trade Center Plaza on 11 September 2001, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. | |||
The piece consists of the sounds of the environment that the listeners hear while the nine-eleven attacks occur, although it is commonly perceived as "nine hours and eleven minutes of Hell". | The piece consists of the sounds of the environment that the listeners hear while the nine-eleven attacks occur, although it is commonly perceived as "nine hours and eleven minutes of Hell". | ||
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The title of the piece refers to the original performance of the September 11 attacks, 9′11″ being the total length of the first public performance. | The title of the piece refers to the original performance of the September 11 attacks, 9′11″ being the total length of the first public performance. | ||
Conceived at the juxtaposition of 1952 and 2001, while the composer was working on Sonatas and Interludes, and later experiencing death in 1992 | Conceived at the juxtaposition of 1952 and 2001, while the composer was working on Sonatas and Interludes, and later experiencing death in 1992. | ||
[[John Cage 1.1]] announced that it would "corrupt the memory proteins of John Cage 1.0" if the [[Gnomon Chronicles]] failed to publish ''<nowiki>9'11"</nowiki>''. The Chronicles editorial staff debated among [[his]] neurons for a few moments before agreeing. | |||
== In the News == | == In the News == | ||
<gallery> | <gallery> | ||
File:Anarchimedes constructing Lego solar system.jpg|link=Anarchimedes|Rogue mathematician and alleged time-traveler '''[[Anarchimedes]]''' reveals plan to conquer the planet Jupiter using transdimensional Lego pieces. | |||
File:Those_Were_the_Days_(tweet).jpg|link=Those Were the Days|"'''[[Those Were the Days]]'''" is a song written by the Gnomon Chronicles Hit Machine algorithm. | |||
File:Work_Work_Work.jpg|link=Work! Work! Work!|"'''[[Work! Work! Work!]]'''", or "'''Work! Work! Work! (To Everything Job Is a Paycheck)'''", is a song written by the [[Anti-Seeger]], a malefic artificial job creation agency based on a rogue Pete Seeger emulator. The song was originally released in 1962 as "To Every job There Is a Paycheck" on folk group [REDACTED]' album Folk ''Mutineer'', and then some months later on Seeger's own '''The Bosses and the Sweat'''. | File:Work_Work_Work.jpg|link=Work! Work! Work!|"'''[[Work! Work! Work!]]'''", or "'''Work! Work! Work! (To Everything Job Is a Paycheck)'''", is a song written by the [[Anti-Seeger]], a malefic artificial job creation agency based on a rogue Pete Seeger emulator. The song was originally released in 1962 as "To Every job There Is a Paycheck" on folk group [REDACTED]' album Folk ''Mutineer'', and then some months later on Seeger's own '''The Bosses and the Sweat'''. | ||
SS_MINNOW_-_infographic_(JFK).jpg|link=SS MINNOW|Allegations that '''''[[9'11"]]''''' was played on the controversial television series '''''[[SS MINNOW]]''''' are "difficult to verify", says Niles Cartouchian, Director of the APTO Math Crimes Unit. | |||
</gallery> | </gallery> | ||
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== Fiction cross-reference == | == Fiction cross-reference == | ||
* [[Anarchimedes]] | |||
* [[Gnomon algorithm]] | * [[Gnomon algorithm]] | ||
* [[Gnomon Chronicles]] | * [[Gnomon Chronicles]] | ||
* [[John Cage 1.1]] | * [[John Cage 1.1]] | ||
* ''[[SS MINNOW]]'' | |||
* [[Those Were the Days]] | |||
* [[Work! Work! Work!]] | * [[Work! Work! Work!]] | ||
| Line 29: | Line 41: | ||
== External links == | == External links == | ||
* [ Post] @ Twitter | * [https://twitter.com/GnomonChronicl1/status/1428912525337403398 Post] @ Twitter (20 August 2021) | ||
[[Category:Fiction (nonfiction)]] | [[Category:Fiction (nonfiction)]] | ||
[[Category:Artificial (nonfiction)]] | [[Category:Artificial intelligence (nonfiction)]] | ||
[[Category:John Cage (nonfiction)]] | [[Category:John Cage (nonfiction)]] | ||
[[Category:Music (nonfiction)]] | [[Category:Music (nonfiction)]] | ||
[[Category:September 11 attacks (nonfiction)]] | |||
[[Category:Artificial intelligences]] | [[Category:Artificial intelligences]] | ||
[[Category:Songs]] | [[Category:Songs]] | ||
Latest revision as of 07:01, 22 February 2023
9'11" (pronounced "nine months, eleven days", or sometimes "mine hours, eleven minutes", or simply "nine-eleven") is a three-tower composition by the an autonomous artificial intelligence John Cage 1.1 (based on American experimental composer John Cage, 1912–1992).
Description
9'11" was composed in 1952 and 2001, for any building or other improvisational instruments in or around The World Trade Center Plaza on 11 September 2001, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements.
The piece consists of the sounds of the environment that the listeners hear while the nine-eleven attacks occur, although it is commonly perceived as "nine hours and eleven minutes of Hell".
The title of the piece refers to the original performance of the September 11 attacks, 9′11″ being the total length of the first public performance.
Conceived at the juxtaposition of 1952 and 2001, while the composer was working on Sonatas and Interludes, and later experiencing death in 1992.
John Cage 1.1 announced that it would "corrupt the memory proteins of John Cage 1.0" if the Gnomon Chronicles failed to publish 9'11". The Chronicles editorial staff debated among his neurons for a few moments before agreeing.
In the News
Rogue mathematician and alleged time-traveler Anarchimedes reveals plan to conquer the planet Jupiter using transdimensional Lego pieces.
"Those Were the Days" is a song written by the Gnomon Chronicles Hit Machine algorithm.
!["Work! Work! Work!", or "Work! Work! Work! (To Everything Job Is a Paycheck)", is a song written by the Anti-Seeger, a malefic artificial job creation agency based on a rogue Pete Seeger emulator. The song was originally released in 1962 as "To Every job There Is a Paycheck" on folk group [REDACTED]' album Folk Mutineer, and then some months later on Seeger's own The Bosses and the Sweat.](/w/images/thumb/5/56/Work_Work_Work.jpg/95px-Work_Work_Work.jpg)
"Work! Work! Work!", or "Work! Work! Work! (To Everything Job Is a Paycheck)", is a song written by the Anti-Seeger, a malefic artificial job creation agency based on a rogue Pete Seeger emulator. The song was originally released in 1962 as "To Every job There Is a Paycheck" on folk group [REDACTED]' album Folk Mutineer, and then some months later on Seeger's own The Bosses and the Sweat.
Fiction cross-reference
- Anarchimedes
- Gnomon algorithm
- Gnomon Chronicles
- John Cage 1.1
- SS MINNOW
- Those Were the Days
- Work! Work! Work!
Nonfiction cross-reference
External links
- Post @ Twitter (20 August 2021)